eastie

player studies · one engine, four skins


four players

all four are the same twelve lines of control logic wearing different clothes. click, drag, use the keyboard — space to play, arrows to seek, m to mute, f for fullscreen. they work independently; starting one pauses the others.

pick the one that's right and we'll build it properly, then save it as a skill so it's the house player forever.

01 · accession

filed, not posted

00:00:00:00
title
The Circle Man (Remix)
duration
direction
M. Eastman
format
H.264 / 1:1

Bone stock, black ink, SMPTE timecode running at 24fps, metadata under a hairline. It doesn't look like a website player — it looks like a record of something. This is the one that would sit correctly next to an archive.org item page.

02 · desk

built to be operated

00:00:00:00
tc 24 fps · src r2

Ruler ticks down the scrubber, a red playhead, timecode big enough to read across a room. This is the one that says the person who made this site cuts things for a living. Ultramarine on near-black, so it belongs to the same world as everything else we've built.

03 · monolith

the type is the interface

playpause
00:00:00:00

No chrome exists until you touch it. The word play is set enormous and composited into the picture in hard light, so the footage lights the letters — the same trick from the drift study. The scrubber is one hairline at the very bottom edge that fattens when you reach for it. This is the show-off, and it's the most you.

04 · strip

one line, nothing else

0:00 /

The restrained one. A mark, a rule, a number. Plain mm:ss instead of timecode, because SMPTE on something this quiet would be showing off. This is the player that disappears — right when the work should be the only thing anyone notices.

the video didn't load — check the source url at the top of the script

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